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Cannes 2018: tutti i titoli della sezione Cannes Classics

Rivelata oggi la lista ufficiale dei film protagonisti della sezione Cannes Classics al prossimo Festival di Cannes 2018 (8-19 maggio).

Tra i titoli spiccano, accanto ai restauri di Vertigo, 2001: Odissea nello spazio, Il settimo sigillo e Ladri di bicilette, anche The Eyes of Orson Welles, documentario firmato Mark Cousins Searching for Ingmar Bergman, omaggio di Margarethe von Trotta a Ingmar Bergman.

Qui di seguito la lista completa dei titoli:

“Be Natural: The Untold Story of Alice Guy-Blaché,” Pamela B. Green (2018, 2h, United States of America)

“Jane Fonda in Five Acts,” Susan Lacy (2018, 2h13, United States of America)

“2001: A Space Odyssey,” Stanley Kubrick (1968, 2h44, United Kingdom, United States of America)

“The Eyes of Orson Welles,” Mark Cousin (2018, 1h55, United Kingdom)

“Searching for Ingmar Bergman,” Margarethe von Trotta (2018, 1h39, Germany, France)

“Bergman – A Year in a Life,” Jane Magnusson (2018, 1h56, Sweden)

“The Seventh Seal,” Ingmar Bergman (1957, 1h36, Sweden)

“Beating Heart,” Henri Decoin (1939, 1h37, France)

“Ladri di biciclette,” Vittorio De Sica (1948, 1h29, Italy)

“Enamorada,” Emilio Fernández (1946, 1h39, Mexico)

“Tokyo Story,” Yasujiro Ozu (1953, 2h15, Japan)

“Vertigo,” Alfred Hitchcock (1958, 2h08, United States of America)

“The Apartment,” Billy Wilder (1960, 2h05, United States of America)

“Diamonds of the Night,” Jan Němec (1964, 1h08, Czech Republic)

“War and Peace. Film I. Andrei Bolkonsky,” Sergey Bondarchuk (1965, 2h27, Russia)

“The Nun,” Jacques Rivette (1965, 2h15, France)

“Four White Shirts,” Rolands Kalnins (1967, 1h20, Latvia)

“The Hour of the Furnaces,” Fernando Solanas (1968, 1h25, Argentina)

“Gli specialisti,” Sergio Corbucci (1969, 1h45, France, Italy, Germany)

João and the Knife,” George Sluizer (1971, 1h30, the Netherlands)

“Blow for Blow,” Marin Karmitz (1972, 1h30, France)

“One Sings the Other Doesn’t,” Agnès Varda (1977, 2h, France)

“Grease,” Randal Kleiser (1978, 1h50, United States of America)

“Grand-père,” Safi Faye (1979, 1h52, Senegal, France)

“Five and the Skin,” Pierre Rissient (1981, 1h35, France, Philippines)

“The Island of Love,” Paulo Rocha (1982, 2h49, Portugal, Japan)

“Bagdad Café,” Percy Adlon (1987, 1h44, Germany)

“The Big Blue,” Luc Besson (1988, 2h18, France, United States of America, Italy)

“Driving Miss Daisy,” Bruce Beresford (1989, 1h40, United States of America)

“Cyrano de Bergerac,” Jean-Paul Rappeneau (1990, 2h15, France)

“Hyènes,” Djibril Diop Mambety (1992, 1h50, Senegal, France, Switzerland)

“Lamb,” Paulin Soumanou Vieyra

“Destiny,” Youssef Chahine (1997, 2h15, Egypt, France)

 

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